April 8, 2014

Hats Off to Fashion

by Christine Kirkham, Coordinator, Montana Digital Newspaper Project

There is nothing new under the sun. (Ecclesiastes)

Pharrell with hat creased "fore and aft" (eonline.com)
Pharrell with hat creased "fore and aft" (eonline.com)
Like millions of others, I enjoyed the 2014 Grammy Awards, including the appearance of singer Pharrell (fa-RELL) wearing his signature headgear.

Within days of the broadcast, I happened to be examining a 1910 newspaper supplement*, The Bitterroot Valley Illustrated, when an advertisement caused me to do a double-take.

Detail, Welpton's menswear ad, The Bitterroot Valley Illustrated, May 1910
Detail, Welpton's menswear
ad, The Bitterroot Valley
Illustrated
, May 1910
According to the National Park Service, this hat style was originally called “Alpine” and became part of the official ranger uniform in 1912. Also referred to as a "Smokey the Bear" hat, its modern-day incarnation rises a full 8 inches above the brim. Manufactured by Vivienne Westwood, it is available in seven colors and retails for $180. (Don't get your hopes up; the item is sold out.)

Like Pharrell and other 2014 "rangers," the 1912 wearer was free to mold the top into any shape he desired.

"[The hats] were usually creased fore and aft, but there were no regulations on the subject and it was left to the ranger to do whatever styling he wished." (Badges and Uniform Ornamentation of the National Park Service.)

* A supplement to the Hamilton-based Western News, the Illustrated was a lavish 50-page homage to the Bitterroot Valley, touting the region's abundant timber, fruit, and other riches. This and other digitized Montana special editions will soon be available on Chronicling America.

March 19, 2014

Fanny Cory, Montana Illustrator


by Maegen Cook, Digital Collections Assistant




Illustration (above) and poem (below)
from Little me: in picture and verse,
by Fanny Y. Cory (New York : E.P.
Dutton), c1936.

A conscience is a horrid thing!
Just when you're having fun
It makes you look around and see
The mischief you have done-

Recently, the Society acquired nine books that were beautifully illustrated by Fanny Young Cory. A longtime Montanan, Cory was a book, magazine, and newspaper illustrator best known for The Fairy Alphabet; Alice’s Adventures in Wonderland by Lewis Carroll; and two works by L. Frank Baum: The Magic Key and The Enchanted Island of Yew. Her illustrations appeared in magazines like Life, Saturday Evening Post, and Century.


Fanny Cory in her youth
Fanny Cory in her youth,
from "Fanny Cory Cooney:
Mother and Artist," by Bob
Cooney and Sayre Cooney
Dodgson, 
Montana The
Magazine of Western History
,
(Summer 1980) p 9.
Cory was born in 1877 in Waukegan, Illinois, and moved to Helena, Montana, with her family as a ten-year-old. In 1896, she attended the Metropolitan School of Art in New York City. In 1902, she returned to Montana, where she married Fred Cooney. They lived for almost fifty years on Canyon Ferry Lake, raising three children and caring for their ranch. She continued her art until her death in 1972 at age 94.

The Research Center holds 14 works containing her writings or illustrations, and the Museum has 180 pieces of original Cory art.

Illustration in Fairy Tales, (Chicago, Illinois: N.K. Fairbank Company), [1903],
a promotion for Fairbank's 
Fairy Soap






March 4, 2014

"Hot and Cold Baths, Artistic Shaving, and Hair Cutting"

by Christine Kirkham, Coordinator, Montana Digital Newspaper Project

So reads an 1883 ad from Chris Hehli ("The King of Barbers") in Miles City.

For the past four months, MHS volunteer Josef Warhank has spent two mornings a week poring over advertisements in Montana’s digitized historical newspapers. Starting with the Daily Yellowstone Journal (Miles City) in 1882, Josef is working his way through all 34 Montana newspapers currently available online at the Library of Congress web site Chronicling America.

This Miles City saloon promised
"boxing matches every evening."
Page by page, he records details from each ad—business name, location, products, and names of principals. Josef’s fast-growing spreadsheet already lists 165 distinct businesses—and that’s for one newspaper in one town!


Bypassing national advertisers like Lydia E. Pinkham's Vegetable Compound, the Index to Montana Newspaper Advertisers will focus on Montana-based businesses and be made available as a searchable online resource for historians and genealogists. In addition to presenting a panoramic view of active businesses at a specific time and place, the ads speak to the growth of local economies. For example, Miles City’s isolation—and the presence of Fort Keogh just west of town—spurred rapid and varied economic development. Click here to check out an early draft of the Index to The Montana Newspaper Advertisers!

Ad for a Miles City restaurant.
Newspaper ads reflect the reciprocal relationship of the press with the local community. Then as now, fees paid for ad space were an essential source of revenue for publishers. 



 


Having just commenced a new round of newspaper digitization, the Montana Digital Newspaper Project team is hopeful Josef will continue his work through 2015, when another 100,000 pages from 19 more newspapers will be digitized and added to Chronicling America.





February 7, 2014

Circus Day at Lewistown


The Fergus County Argus declared July 6, 1908, “the biggest day in the history of Lewistown, so far as crowds are concerned.” That was the day the Norris & Rowe Circus would perform their spectacular show under the Big Top for the people of Lewistown. Special trains ran to carry the circus into town and to bring revelers in from the surrounding area. The morning of the show a grand parade of exotic animals marched through town to the tune of the circus band. For the residents of Fergus County the event held special significance—this was the first circus to ever visit Lewistown.

Fergus County Democrat, June 30, 1908
Fergus County Argus July 3, 1908
It is no wonder that the arrival of the Norris & Rowe Circus was so hotly anticipated. Their promotional materials boasted, among other things, 10 Reckless Rough Riders, 100 Shetland Pony Ballet, Educated Seals and Sea Lions, 18 Daring Aerialists, and 23 Merry Clowns.  Also promised were a real Roman Hippodrome, Scores of Trained Wild Beasts, and 20 Astonishing Acrobats!

Norris and Rowe Circus Band in Lewistown, Montana July 6, 1908
The Fergus County Argus later reported that “some 5,000 people filled the big tent, and all were satisfied.” The excitement of circus day left the town abuzz even after the performers had moved on to the next town. By all accounts, the arrival of the Norris & Rowe Circus was an historical moment for the people of Lewistown. They were lucky to catch the circus at all. By the end of 1909 the circus was in financial troubles, and by 1910 it had disbanded.*

Circus Elephants on Parade in Lewistown, Montana

*Circus Historical Society

 Thousands of stories just like this can be found on the Library of Congress web site Chronicling America, where over 150,000 pages of historical Montana newspapers are available for searching and viewing.

January 22, 2014

"Stay with the West" — new paintings by “Shorty” Shope

by Kendra Newhall, Assistant Registar, Montana's Museum

The Society recently acquired several works by well-known artist Henry Irvin "Shorty" Shope. Born in 1900, Shope’s paintings reflect the childhood he spent on a Muskrat Creek ranch (near Boulder, Montana) and later, four years as a working cowboy near Miles City. Heavily influenced by E. S. Paxson (1852-1919) and C. M. Russell (1864-1926), Shorty knew from an early age that he would become an artist.


"Cowboy" (oil on board, 1966), one of six new Shope acquisitions
by Montana's Museum, Montana Historical Society, 2013.82.04.
"I studied art every minute I could get, either at the high school or out at the university. The rest of the time, when I could, I was at Paxson’s studio." (New Interpretations, by Dale A. Burk, Western Life Publications, 1969, p.63) 

Shope was versatile, becoming skilled in cartography, commercial art, calligraphy, and cartooning. Although his work was carried by galleries in New York, Chicago and St. Louis, he remained true to his Montana roots.

Charlie Russell once told him: “Stay with the West, boy. The men, the horses and the country you like and want to study are here.” (Great Falls Tribune, November 30, 1958)

Montana's Museum owns 37 Shope works, and the Research Center owns another 13 items—books, maps, and promotional material for the highway department and several Montana businesses.

A versatile artist, Shope designed this cover for a 1937 Montana Highway
Department brochure.
Montana Historical Society Research Center, PAM3247.